An Action Research Post by Catherine Mainwaring (Music)
Reading time: 4 minutes
Using the ‘Lazy Teacher’s Handbook’ to develop strategies to ease teacher workload.
To develop a range of practical strategies to lighten the workload of a single-teacher department so that curriculum planning and teaching is more efficient.
Background and Context
When deciding upon my research project for my NQT year I was drawn towards a book that I was first introduced to during my Initial Teacher Training Year. The supposedly lazy strategies to ease the life of teachers intrigued my curiosity about the possibility of doing less but achieving more when delivering a full teaching timetable – something that as a graduate teacher, was extremely daunting! What I soon discovered with the Lazy Teacher’s Handbook was that though some ideas could be adapted for everyday classrooms, with advances in technology a number felt out-of-date or misleadingly hard work. That being said there were some strategies that I was able to integrate within my teaching practice such as
- Lazy lessons with the TA
- Toolkit – giving pupils the tools to succeed and stepping back
- No Photocopying
Let’s get lazy!
Actions and Impact
Lazy lessons with the TA
Having the addition of another adult in your classroom is simultaneously exceedingly helpful and terrifying! Especially in the initial stages of term 1 having a teaching assistant in the room was perhaps more of a comfort or safety blanket for myself rather than an additional support mechanism for certain pupils. The handbook identified a few ideas for using the TA ‘lazily’, though when reflected upon, it became clear that in order to reach a ‘happy-medium’ of being a lazy teacher, some preparation and planning was needed which then had to be embedded. The handbook identified the following strategies:
- Talk to your TA – introduce yourselves.
- Give them a copy of the schemes of work
- Get to know the TA – hobbies, interests, name
- Engage the TA in the curriculum planning process
While some of these suggestions may seem quite obvious, it was still reassuring to have some guidance. Using the above strategies I found that my lessons with those classes who had the Teaching Assistant slowly started to become more manageable especially when faced with difficult behaviour in lessons or lessons where due to the practical nature of the class where pupils were in different rooms, having an extra pair of eyes proved very useful. Whilst giving them a copy of the scheme of work would be useful it contradicted another lazy activity of no photocopy (more of that later!). Among the trepidations I had about this particular avenue was that there was no guarantee that the TA would be available for every Music lesson or whether it would not be less strenuous to have a short conversation about the individual lesson they were in. One of the more useful suggestions was to engage the musical interests of the TA into my lessons. Being able to provide a united front and use example analogies to the pupils that the TA could also reiterate in the lesson proved useful whenever further clarification was needed.
Toolkit – giving pupils the tools to succeed and stepping back
I quite liked the idea for a toolkit especially when teaching the new GCSE course which now consists of a higher level of analytical detail than previously. Though having a toolkit for pupils to access in lessons seemed like a good idea at the time, it proved quite costly when resources needed to either be replaced, because students lost them or took them for their files or as more set works were discussed, more revision resources were produced. Towards the end of the academic year, I started to think of alternative ways of presenting a toolkit to my pupils, not only in Key Stage 4 but to Key Stage 3 as well, especially with regard to assessment and verbal feedback. As it stands, more time and planning is needed to fully explore the possibilities of a student toolkit.
This particular strategy is one that I wasn’t sure I could fully commit to. While I loath printing out reams of scores and starter activities, such as tarsias/ rhythm bingo and exit passes, they have proved the activities that students both enjoyed the most and the ones which were able to be used multiple times during a lesson. Motivating students by highlighting the amount of progress made within one lesson is crucial, especially for GCSE students as they approach the examination. Although I wanted to reduce the amount of printing, there are some things which need photocopying such as musical scores, especially for those pupils who do not have access to IT and online facilities at home.
To conclude, the Lazy Teacher’s Handbook is indeed a good foundation stone for a teacher in the initial stages of their career and as a starter for any teacher wanting to do less to allow their students to do more. One of the strengths in the literature is the ability to adapt each strategy to different teaching environments. One of the disadvantages however, is that some of the the strtaegies seem to be starting to become outdated given the vast range of developments that have been made with ICT in Education over the last few years (though I believe a new updated edition of the book has been published since my copy was printed).
I have found a variety of strategies in the text that I have used in different contexts within my teaching and have found with each one, a happy medium to build upon as I venture further into the teaching profession. I have started researching the development of an online student toolkit which will be accessible to all pupils for feedback and revision. I have also built up professional relationships with Teaching Assistants and the extended Learning Hub (our pupil support team) to further develop my teaching style, to accommodate the specific learning needs of my Key Stage 4 pupils.
The Lazy Teacher’s Handbook – How your students learn more when you teach less (The Independent Thinking Series – Crown House Publishing Ltd.) Jim Smith – Author, Ian Gilbert – Editor
Featured image: ‘Teacher’ by dutchpirates on Pixabay. Licensed under Creative Commons CC0